Archive for the ‘New York Times Best-Seller’ Category

The Middle Place

Monday, February 8th, 2010

middleplaceThe Middle Place—“that sliver of time when parenthood and childhood overlap.” That moment when one is comfortably wedged between adult duties and still falling beneath a parents’ care. It is about being a parent and a child at the same time.

At thirty-six, Kelly Corrigan (both author and main character) had a marriage that worked, two funny, active kids, and a weekly newspaper column. She also has a lump in her breast and gets the diagnosis no one wants to hear.

For Kelly, family is everything.  Her entire identity is carefully constructed around her relationship with her Irish-American, charmer-of-a-father, George Corrigan.

“The thing you need to know about me is that I am George Corrigan’s daughter, his only daughter.

He’s Catholic. That’s the first thing he’d want you to know about him. Goes to church many times a week. Calls it “God’s House” and talks about it in loyal, familiar terms, the way the Irish talk about their corner pub.

You also need to know about the lacrosse thing. He’s in the Hall of Fame, partly because he was an all-American in 1953 and 1954 but mostly because now, in his retirement, he marches up and down the field of my old high school, Radnor, side by side with a guy thirty years his junior, coaching the kids who want to be lacrosse stars. I’ve watched a hundred games sitting next to him; both my brothers played for years. Not being an athlete myself, I am amused by how attached he is to the game. He remembers every play and can talk about a single game for hours. The words don’t mean much to me, but the emotion needs no translation.

And he’s a Corrigan. He was one of six loud, funny kids who broke out of a tiny house on Clearspring Road in working-class Baltimore.”

The Middle Place is a memoir of one year in the life of a cancer patient who was the spoiled daughter who craved her father’s attention. During that year, her father also is diagnosed with bladder cancer. What I most related to was her all encompassing desire to try to leave the same kind of memories for her daughters that her father had given her.

Many times throughout the book the author seems to acknowledge that she operated through life believing things centered on her and reflected a bit on the reasons for her selfishness.

Corrigan is diagnosed with breast cancer, and the book focuses mainly on how she handles this crisis – while still protecting her children, and being there to support her aging parents.

I thought it was interesting how readers found it odd that on the day she found out about her diagnosis, she chose to email her 100 closest friends about what she was going through. While touching, it failed to acknowledge that many of the people she was sending the email too had probably already been through a similar experience. This anecdote highlighted Corrigan’s focus on the self and while she consistently wanted her friends to walk in her painful shoes, she rarely seemed able to walk in theirs, or ever acknowledge that others might be going through difficult times of their own.

While I found her struggle with cancer to be quite honest and read many scenes depicting her close relationship with her father with a lump in my throat, it was easy to be frustrated by her view of the world, which often seemed to presume that she was the only one suffering and failing to fully appreciate that she had a family willing to go above and beyond in every situation.

This is an amazing and though provoking story.  The writing is heartfelt and Corrigan expressed thoughts in print that seem to be the secret feelings we harbor inside of ourselves.

A perfect choice for any book club with characters you will come to love and wish to meet.

GENRE: Memoir/Biography

Link here for book club questions!

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Our 100th Post! – The Lost Symbol – He Said/She Said

Wednesday, October 21st, 2009

She said:

Like Angels and Demons, and The Da Vinci Code, Dan Brown’s third novel, The Lost Symbol solves puzzles, analyzes paintings, explores religious misconceptions and reveals forgotten histories in its 509 pages. Spanning 12 hours, this story is a thriller replay of The Da Vinci Code, except that it is set in Washington instead of Paris and Masons feature as the star secret society, instead of Opus Dei.

Langdon arrives in Washington D.C., invited by his wealthy friend Peter Solomon, a high-ranking Mason, to deliver a speech in the Capitol building. But there is no speech, only an “invitation” fashioned by a severed hand believed to be that of his friends. The hand is marked with Masonic tattoos and propped to point to an 1865 painting of George Washington depicted as a pagan god. The hand of mysteries directs Robert Langdon to find a legendary Masonic treasure for a ritualistic killer who has kidnapped his dear friend all the while special ops squads are hunting him down.

Storylines include, alchemy, the war on terror and the study of Noetics, a branch of physics that draws on string theory that attempts to prove that “mind over matter” is a scientific reality.

Although expectations for this novel were probably not likely to be reached, I enjoyed scenes such as Langdon and Katherine’s narrow escape from the CIA by riding the book conveyor belts of the Library of Congress. I was also fascinated by  the hidden Masonic threads in America’s founding, such as the Masonic affiliations of at least half the Founding Fathers, including George Washington, and the design of the dollar bill, with its prominent pyramid on the back.

I did find the book plagued with choppy writing, and unrealistic scenes. For instance, in the end when the characters climax through an especially emotional and draining experience, Katharine directly spends the evening in the rotunda at Peter’s urgings and Peter meets with Robert in his office to have an intellectual, story-telling moment after spending 2 days getting tortured. Why would they not head directly to the hospital?

The Lost Symbol more or less follows Dan Brown’s winning formula that includes Robert Langdon, a pretty woman, a mystery shrouded in code, and a thoroughly evil twisted villain. Of course, there is also the twist at the end that I admit to having guessed if not having all the details figured out.

I do not see Brown’s book being shrouded in controversy similar to his previous books.  They do include some premises that the founding fathers did not fashion our country and government on Christian principals as much as the desire to be recognized as gods themselves.  An overshadowing theme throughout the book of new age thinking that we all within ourselves have godlike potential and a positive plug for Masonic principals of  moving beyond traditional religion so as to “harness our true power. Brown’s works keep putting religion in critical light as he explores issues between science and religion.

He said:

In Dan Brown’s latest book, The Lost Symbol, we see the return of Professor of Iconology, Robert Langdon who was convinced into traveling to Washington D.C. on very short notice, only to become involved in another mystery involving, religion, symbols, lunatic bad guys, and puzzles apparently only he is able to solve.

The book was a very fast-paced and exciting read. I have enjoyed Dan Brown’s storytelling skills in past novels, and this story is definitely no disappointment. I do not want to give away any of the story or its deeper secrets, but I will say if you could imagine a story that mixes National Treasure and The DaVinci Code, then you now pretty much have an idea where The Lost Symbol is going to take you.

During the time I spent reading this book, I longed to return to Washington D.C. so I could revisit all of the places Dan Brown described and see the symbols he was mentioning in person. Although there were times you felt that Brown was just going through a list of urban myths and other conspiracy theories dealing with the building of Washington D.C., he did a great job neatly bringing everything together into a fun ride.

Now, I will be honest and say that from a philosophical, theological, or even rational perspective, I do not agree with much Dan Brown preaches in his works, and specifically the rhetoric he presents in the Lost Symbol. That being said, I was very disappointed that after the story was “complete” and “resolved”, Brown felt the need to go into over 45 pages of nonsense and wild theories and beliefs. I could definitely have used that reading time more wisely, like closing the book and going to sleep.

All in all, Lost Symbol was a good story, with fun characters, and interesting mysteries and puzzles. Discounting Dan Brown’s need to express his beliefs so blatantly during the last 45 ages of the book  as a huge disappointment, but overall a job well done for Mr. Brown.

GENRE: Suspense/ Mystery

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The Shack

Tuesday, October 20th, 2009

I stood in the hallway of my church listening to two women discuss the book, The Shack by William Paul Young for their book club.  Representing both sides of the debate, I was once again admonished that I had yet to tackle this controversial work of fiction.  Can it be approached as “purely fiction” or does it need to be judged as a representation of Christian apologetics-however fancifully told?

It is Mackenzie Allen Philips’s story.  Beginning as a young man belonging to an alcoholic family where his church elder father physically abused he, and his mother.  After an especially awful two day beating, he left home spending some time in the military and in seminary.  Chapter one picks up his story as a happily married man with five children.  The burden of his childhood is never far away and events in the story will test his faith further.

His youngest child, Missy, was abducted on a camping trip and murdered.  The body and killer never discovered.   When a blizzard keeps his family away for a weekend, he receives a note in the mail from what appears to be God.  The note requests a meeting at the very shack where his daughter was believed to be murdered.

Secretly, he travels to the shack and encounters the Lord in the three persons of the trinity. The African-American woman is God (reminding me of the seer from The Matrix). Throughout the story she is known as Papa. Near the end, because Mack requires a father figure, she turns into a pony-tailed, grey-haired man, but otherwise God is this woman. Jesus is a young to middle-aged man of Middle-Eastern descent with a big nose and rather plain looks while the Holy Spirit is played by Sarayu, a woman of Asian descent.

Many philosophical and theological subjects are tackled in this story. What the author does well is affirms the absolute nature of what is good and teaches that evil exists only in relation to what is good. Young challenges the reader to understand that God is inherently good and that we can only truly trust God if we believe Him to be good. He highlights the human tendency to create our image of God by looking at human qualities and assuming that God is simply the same.

“I don’t need to punish people for sin.  Sin is its own punishment, devouring you from the inside. It’s not my purpose to punish it; it’s my joy to cure it.”

However, I became very uncomfortable with his explanation of the trinity. Specifically that there is no hierarchy between the Father, Son, and Holy Ghost or in heaven for that matter.  The author’s arguments that without the triune nature of God, and Jesus becoming a man, God would be incapable of love is not supported anywhere in scripture. When the book delves into submission and free will it also makes many arguments not supported by any scripture.  In fact, he points away from Scripture and towards subjective promptings and leadings of what feels good.

“Jesus paused and grew sober. ’Seriously, my life was not meant to be an example to copy.  Being my follower is not trying to ‘be like Jesus,’ it means your independence is killed. I came to give you life, real life, my life. “

Because of the emotional impact of reading good fiction, it can be easy to allow it to become manipulative and to allow the emotion of a moment to bypass our ability to discern what is true and what is not. The book began with far too many awkward sentences, but as it went on and as the story took over the book became easier to read. The story itself is interesting reminding me of the dialogue in the book of Job from the Bible. I felt the ending was abrupt and better left unsaid, proving to be a weak attempt at closure to an emotionally driven story.

“Those who have loved me have come from every system that exists. They were Buddhists or Mormons, Baptists or Muslims; Some are Democrats, some republicans and many don’t vote or are not part of any Sunday morning or religious institutions…I have no desire to make them Christian, but I do want to join them in their transformation into sons and daughters of my papa.”

It is fun to get caught up in a large movement of people inspired by Christian fiction, but readers tread dangerous theological ground in The Shack. Both because of that and because of its mediocre writing I recommend finding better more compelling reads for searching souls.

GENRE: Christian Fiction

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