Archive for the ‘Juvenile Fiction’ Category

The Last Invisible Boy

Wednesday, March 24th, 2010

lastinvisibleboyMany readers might confuse the diary entries and picture comics that help tell the story in The Last Invisible Boy to be a Wimpy kid read-alike, or misinterpret author Jeff Kinney’s review on the cover as an endorsement but that is the extent of the story similarities.

”I don’t want to give anything away, so I’ll tell you what you could probably guess from looking at the cover and flipping through the book.
1. It’s about an invisible boy. Obviously. That’s me. Actually, I’m not totally invisible. Yet. But I’m getting there.
2. There are a bunch of my drawings.
3. There are some really funny, really happy moments.
4. Just so you know, there are also some sad moments.
5. Everything in here is the truth. So if you like stories about true things, you might like this book.”

Evan Kuhlman’s character is Finn Garrett. His father has suddenly died, and he and his family are coping with their new lives. His mother is depressed, his younger brother needs a new father figure, and Finn is worried about returning to school. In addition, Finn’s skin and hair are becoming whiter and lighter every day since his father’s death. Finn and others have a variety of theories as to why this is happening, but one of Finn’s theories is that he is becoming invisible. He’s afraid that, one day, he is going to wake up to find himself completely transparent.
The book flows with a stream-of-consciousness narrative. Although it claims to have some funny moments, I think the term “lighter” would be more accurate. I wouldn’t really call them funny. This is about a kid grieving his dad, not an average kid going about his day-to-day antics.

The story was sweet.  I think it would be meaningful to a child who had experienced the death of a parent.  Many times, the narrator Finn talks directly to the reader and encourages them to draw, ride a bike, know the meaning to names or remember a happy memory.  There are many opportunities for journaling and classroom exercises if used correctly.  I don’t know if I liked it as much as Jeremy Fink and the Meaning of Life which also tries to find meaning after the death of a father and any comparison drawn between it and Diary of a Wimpy Kid does it a disservice.

Readers will walk away learning much about the meanings of people’s names-such as Amanda means “lovable,” what the first inklings of young love feel like (Little fizzles of light sparkle in the air around us, like they sometimes do when Meli and I are this close), and how one 12-year-old boy works through the emotions and life changes that the death of a parent cause.

GENRE: Realistic Fiction

In case you were curious about Jeff Kinney’s endorsement:
“Heartbreaking and uplifting…a gutsy book that will stay with me a long time.”

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Mira, Mirror

Monday, March 22nd, 2010

miramirrorLoosely based on the story of Snow White, Mette Ivie Harrison has crafted the story of the mirror in her novel, Mira, Mirror.

“I saw no reason not to do as she asked.  It was only after I touched the whorled wood against my skin, sensed the magic, bitter and smelling of old smoke, of death, that I began to feel a hint of fear.”

This twisted fairy tale tells of Mira who was sold to the witch of the woods to become an apprentice. The witch’s other apprentice adopts her as a sister. But too late, Mira learns that she should not trust her new sister ambition. She changes Mira into the magic mirror while Mira’s sister becomes the wicked queen of “Snow White” fame.

The end of the “Snow White” tale is barely the first act of Mira’s enchanting story where she finds herself abandoned for a hundred years believing the wicked sister must have died.

Eventually Ivana, a peasant girl running away from her cruel father, stumbles upon the mirror and Mira sees a chance to possibly be restored to her original form. Mira manipulates Ivana into becoming best friends with a wealthy merchant’s daughter named Talia and then uses her magic to change the girls’ appearances so each resembles the other. What Mira does not anticipate is that Talia is quite happy with her new form and is not as easily manipulated as Ivana.

It takes all of Mira’s cunning to regain enough power to restore her form, but as she comes to know Talia and Ivana, Mira struggles with the choice of being as ruthless with their lives as she needs to be and begins to learn what true sisterhood can be and forgiveness.

By observing the girls, Mira comes to feel as a mother to them. She wishes for them to be happy. Throughout the book there are flashbacks to times she had with her own adopted sister, lessons learned and deeply ingrained.

“Magic is born in death,” I said. “But love is born in life, and death cannot end it.” It was true for me and my sister, and I hoped it would be true for them too.

Winner of many awards such as Spirit 0f 76 Recommended Book List. “Borders Recommends” List. Association of Mormon Letters, Honorable Mention for Juvenile Books 2004. The Center for Children’s Literature “Too Good to Miss” List 2005.
Utah Center for the Book Letters for Literature, Level II 2005-2006 Winner.
The Children’s Bookstore “Pick of the Month” November/December 2004.

I was not fond of the evil undertones of the book and the taking of life to amass magic.  The characters developed throughout the story but development individually remained two dimensional.  This story is appropriate for middle schoolers and mature elementary school readers. You might try Gregory Maguire’s Mirror, Mirror for a Snow White retelling that’s just as dark, although written for an older crowd.

GENRE: Fairytale

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The House On The Gulf

Thursday, March 18th, 2010

housonthegulfMargaret peter Haddix explores delicately the idea of family, loyalty, and forgiveness in her novel, The House on the Gulf.

Things seem too good to be true when Britt’s 16 year old brother gets the offer to house-sit a home four blocks from the Florida beaches for a family who spend the summer in New York.

Bran and Britt have watched their mother work hard to barely support them.  With the opportunity of free rent for a whole summer, she can quit her waitressing  job and be a full time student making her eligible for a scholarship opportunity for single mothers.

But Britt who has always idolized her brother and trusted him to take care of everyone begins to get suspicious that they don’t belong in that house. When Britt and Bran accidentally meet up with the owner of the house, Mr. Marquis, Bran cuts off Britt’s attempts to introduce herself and sends her away. After the family moves into the house Bran instantly puts away the Marquises’ plates after she comments on how old they are. He asks them not to use the air-conditioning, despite the Florida heat, or the washer and dryer. And a neighbor comments that Bran had secretly moved boxes into the Marquises’ shed before they moved into the house, which explains why there are no pictures inside.

The only comfort in an otherwise frightening summer is the elderly neighbor Mrs. Stuldy who befriends Britt and helps her to reach out to the elderly community by creating a job where she runs errands for those to whom it has become too difficult.  Many of the explorations into guilt and forgiveness are dissected over freshly baked cookies in Mrs. Stuldy’s kitchen.

“Haven’t you been listening?” he asked.  “Where do you think we’re going to move to? How would we pay for another place?  Mom took out loans to go to school this summer.  She’d have to drop out if we couldn’t stay here.  And she wouldn’t get that money back.  We’d be worse off than ever.” He reached into his pocket and came up with a crumpled twenty-dollar bill that must have been his tips from the day from work. “This would be about all we’d have to keep us from living on the street.”

This is a story with many unexpected twists.  The reader can’t help but feel Britt’s certainty that things are not what they seem and if they just turn the next page they will be able to unravel the illusive mystery.  And yet, the more the mystery gets revealed you empathize with the burden Britt must carry with her and wonder what you would do differently.

This is an excellent stand alone mystery for readers in fourth grade and above!

GENRE: Mystery

Discussion Guide—The House on the Gulf

Questions that can be used in classrooms and book group
  • How did this book turn out differently than you expected?
  • What would you do if you were Britt, after she found out what her brother was doing?
  • The title of this book refers to the fact that the house in Florida is located on the Gulf of Mexico. But there is also a gulf between Britt’s mother and her grandparents. And there’s a gulf between what Britt thinks is going on, and what’s really happening. Can you explain that gulf?

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